Mamiya RZ Kodak Tri-X 400 Df96
Just a few shots I took to test home developing of a 120 roll with Cinestill Df96
Cambo SC 4×5 / Ilford HP5
Camera: Cambo SC view camera
Lens: 210mm f5.6 Rhodenstock
Film: Ilford HP5 sheet film
Dev: Cinestill Df96 monobath / Stearman SP-445
Scans: Epson V850
Nikon FM3a Portra 160 studio
Camera: Nikon FM3a
Lens: Nikkor 105mm 2.5
Film: Kodak Portra 160
Light: Rotalux 150 camera left, gridded dish on backdrop, Skyport trigger
HM on film
Model: HM
Gear: Pentax 67ii, Mamiya 645AFD, Nikon FM3a
Film: Kodak Ektar 100, Portra 160, Portra 400, Ultramax 400, Tri-X 400
Location: Amsterdam
Second analog shoot with Esther in Amsterdam
It’s been a while since I wrote something about a shoot, besides just posting the photos. But as part of my “experiments with film” – I figured I should. If only so I can remember what I did when I’m shooting next. But also because I do enjoy reading other people’s write-ups about their experiences with film and scanning. And perhaps sharing the details of how I go about scanning my negatives helps others (details at the bottom of this page).
Analog shoot with Esther
Gear: Nikon FM3a, Mamiya RZ Pro II, Mamiya 645 Super
Film: Kodak Portra 400, Kodak Ektar 100, Kodak Tri-X 400
Model: Esther van Rijn
Nikon FM3a Kodak Portra 400
Camera: Nikon FM3a
Lenses: Nikkor 50mm 1.4ais, Nikkor 28mm 2.8E, Nikkor 105mm 2.5ais
Film: Kodak Portra 400
Scanning: Nikon ES-2 / Negative Lab conversion