Kodak D76
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Recent
- Raffaella studio March 26, 2024
- Teddi January 15, 2024
- Famke December 31, 2023
- Esther November 15, 2023
- Dragica Janeka November 7, 2023
- Nikon F100 Germany October 12, 2023
- Protected: Oude dias mw August 9, 2023
- Protected: Cantas July 22, 2023
- Gabriëlle July 22, 2023
- Old Jag July 22, 2023
- Simone June 20, 2023
- Maja II May 7, 2023
- Natalja April 21, 2023
- Gunnar April 16, 2023
- Gabriela March 28, 2023
- Protected: Temp March 15, 2023
- Ash March 14, 2023
- Ines March 4, 2023
- Aurora February 22, 2023
- Shandon February 12, 2023
- Annika February 7, 2023
- Christian January 29, 2023
- Rowey Sara Jane January 22, 2023
- Karolina January 14, 2023
- Elina – Ilford FP4 December 30, 2022
- Manuela – Ilford FP4 December 30, 2022
- Roos & Nadi – Ilford FP4 December 30, 2022
- Maja Kodak TMax 100 December 30, 2022
- Elina Matisa December 30, 2022
- Manuella December 18, 2022
- Soraya December 14, 2022
- Isa December 11, 2022
- Medina December 8, 2022
- Maja (digital) December 1, 2022
- Roos (digital) November 22, 2022
- Nadi Fujifilm GFX shoot November 6, 2022
- Raffaella Fuji GFX50s ii studio shoot November 2, 2022
- Milk Rebelle (digital and analog) October 25, 2022
- Layla Vera GFX and analog October 4, 2022
- GFX test shots September 16, 2022
- Esther August 27, 2022
- Sluishuis FP4 July 28, 2022
- Still life July 27, 2022
- Limburg July 9, 2022
- Florence II July 8, 2022
- Mario June 28, 2022
- Cenna May 22, 2022
- Raffaella May 2, 2022
- Heilo – Pentax 67 Tri-X April 29, 2022
- Willem & Nienke April 26, 2022
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Tags
2 Years to Apocalypse
4x5
6x6
6x7
105mm 2.4
120 film
amsterdam
Analog
available light
beauty
black and white
Cambo SC
digital
DSLR scan
elinchrom
Film
Fujifilm GFX 50s II
Fuji Pro 400h
GF 80mm 1.7 R WR
GF 110mm f/2.0 R LM WR
glamour
Home Developed
Ilford FP4
Ilford HP5
Indirect Octabox 150cm
ink
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Kodak D76
Kodak Tri-X 400
Large format
location
Mamiya RZ Pro II
medium format
model
Panerai
Pentax 67ii
people
portrait
portraiture
Sekor 110mm 2.8
shoot
strobe light
studio
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© Martin Wilmsen