Mamiya RZ Pro II – Fujicolor PRO 400H Portra 400 NDSM
Some shots with the RZ and the 110mm 2.8 and 127mm 3.8 lenses
Mamiya 645AFDii Kodak Portra 400 around Amsterdam
Camera: Mamiya 645AFDii
Lens: Sekor 80mm 2.8
Film: Kodak Portra 400 (shot at 320)
Dev: Cinestill CS41
Scan: Epson V850 Vuescan converted with Negative Lab Pro
HM on film
Model: HM
Gear: Pentax 67ii, Mamiya 645AFD, Nikon FM3a
Film: Kodak Ektar 100, Portra 160, Portra 400, Ultramax 400, Tri-X 400
Location: Amsterdam
Second analog shoot with Esther in Amsterdam
It’s been a while since I wrote something about a shoot, besides just posting the photos. But as part of my “experiments with film” – I figured I should. If only so I can remember what I did when I’m shooting next. But also because I do enjoy reading other people’s write-ups about their experiences with film and scanning. And perhaps sharing the details of how I go about scanning my negatives helps others (details at the bottom of this page).
Nikon FM3a Kodak Portra 400
Camera: Nikon FM3a
Lenses: Nikkor 50mm 1.4ais, Nikkor 28mm 2.8E, Nikkor 105mm 2.5ais
Film: Kodak Portra 400
Scanning: Nikon ES-2 / Negative Lab conversion
LP
Location: Studio
Gear: Nikon D850 with 85mm 1.4G, Mamiya RZ ProII with 110mm 2.8 Kodak Tri-X 400
Strobes: Elinchrom ELC1000, BXRi250/500
Model/MUA: LP
Nikon F2 / Nikkor 50mm h-c Kodak Tri-X 400
Experiments with film. 1978 Nikon F2 with a Nikkor 50mm h-c lens.
Kodak Tri-X 400ASA film, scanned with Nikon ES-2.
Nikon F3 Kodak Tri-X 400 black and white film
Experiments with film. Nikon F3 (press) with Kodak Tri-X 400. Scans with 60mm micro lens and Nikon ES-2.